DOWSE guide to the movies                                                                                         

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  New Century of Cinema


DOWSE Guide to the Movies
by Tony Lee editor of Pigasus Press

The Limey

Director: Steven Soderbergh
86 minutes (18) FilmFour
review by Gary Couzens

Fresh out of jail, cockney criminal Wilson (Terence Stamp) flies to LA after hearing that his daughter Jenny has been killed in a car accident. Hearing that rock promoter Terry Valentine (Peter Fonda), with whom Jenny had been having an affair, might have been involved, Wilson seeks revenge. The Limey is at heart a straightforward thriller given depth by a complex - but not difficult - maze of flashbacks and flash-forwards. Time hangs heavily on Wilson: the scenes set in the sixties, showing his relationship with the daughter he hardly knew, gain poignancy because that really is a younger Terence Stamp we see (in extracts from Ken Loach's Poor Cow). And of course, Stamp and Fonda, both in terrific shape, carry a lot of sixties baggage with them. Much is made of Wilson being an outsider in LA, from the title onwards. Other people's misunderstandings of his rhyming slang add a welcome touch of humour. (Only false note: towards the beginning, Wilson says, "You wrote me" - American English - instead of the British-English "You wrote to me.") The Limey is a minor work, but Soderbergh puts it together with a lot of wit and style, and some excellent music choices. (Though, after this and American Beauty, maybe The Who's 'The Seeker' deserves a rest.)
  The DVD (widescreen 1.85:1) has a lot of extras, including two commentaries, 30 minutes of interviews, behind-the-scenes footage, an isolated music score and the trailer.

Gary Couzens
originally published online in VideoVista #16, July 2000 issue

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